Thursday, August 07, 2008

CinemaBlend.com, Deborah Del Prete, Frank Miller, Josh Tyler, Samuel L. Jackson, Will Eisner's The Spirit movie

This item was posted by Brent Frankenhoff, a writer at CBGXtra.com:

David Serchay, the author of Graphic Novels for Children and Tweens, is heading up a group seeking to have Will Eisner inducted into the Florida Artists Hall of Fame.

In an open letter to comics professionals, Serchay wrote, "The Hall honors those who have made significant contributions to the arts in Florida either as performing or practicing artists in individual disciplines. Past inductees include Zora Neale Hurston and John D. MacDonald. Mr. Eisner lived in Florida for more than 20 years, and we feel that it is fitting that he is also inducted."

Serchay's group is seeking letters of support from artists both inside and outside the comics industry. "As those who decide the new inductees may be unfamiliar with comics and graphic novels," Serchay wrote, "please introduce yourself in your opening sentence. (ie. My name is John Smith and I have been the writer/artist/etc. of ...) As part of your letter of support, please include what influences, if any, Mr. Eisner has had on your work."

Professionals have also been asked to spread the word among their colleagues.

Letters of support can be sent to: Eileen McNally, Florida Center for the Book, Broward County Main Library, 100 S. Andrews Ave., Ft. Lauderdale, FL 33301.

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Monday, August 04, 2008

Brent Frankenhoff, CBGXtra.com, Florida Artists Hall of Fame, Florida Center for the Book, Will Eisner: A Spirited Life

By KRISTY DAVIES
Courier-Post staff
August 4, 2008

WOODBURY HEIGHTS — Everyone looks for treasure, but very few have treasure come to them.

Joe Getsinger, 59, of Woodbury Heights, is one of the few. Two years ago, he took a collection of printing plates from a friend and agreed to do some research and possibly market them.

He had no idea that it would involve the works of a comic book legend.

"I knew I had a diamond in the rough," said Getsinger, an artist and retired arson investigator, who has about 5,000 printing plates that date from the early to mid-20th century. "I was intrigued by the plates since I did have print shop in high school and did print from wood block-mounted plates."

In his studio, Getsinger stood by thin, metal comic strip printing plates stacked neatly in hundreds of rows. The collection's value is unknown, but Getsinger believes the entire collection is worth more than $1 million with printing and publishing possibilities.

Getsinger has two almost-complete collections of Will Eisner's first published comic strips, "Harry Karry" and "Uncle Otto."

"I found these "Harry Karry' plates by a "Willis B. Rensie,' which is Eisner spelled backward," Getsinger said. "I did some research and also learned that these "Life in the Roar' comics by "Kane' were early comics of "Batman' creator Bob Kane.

"It's like discovering the Holy Grail."

Getsinger has more than 80 plates of Kane and 85 plates of comic book legend and "The Spirit" creator Eisner, who died in 2005.

Click HERE to Keep Reading!









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Monday, July 28, 2008

DC Finally Finishes Eisner’s The Spirit (PW Comics Week)

Here's a great story from PW Comics Week by Sam Thielman! (I just wish it referenced the biography I wrote, Will Eisner: A Spirited Life, but you can't have everything!)

For followers of Will Eisner's The Spirit, it's a bittersweet time: 1952 all over again. After eight years, DC Comics has completed a mammoth-scale archival project that none of Eisner's other publishers had even attempted: they've reprinted—in color restored to Eisner's specifications—the entire 12-year run of the character's groundbreaking newspaper-strip adventures, from the Spirit's first appearance on June 2, 1940 to the ladykiller detective's final bow on October 5, 1952.

The Spirit Archives just wrapped up, with the extra-long (nearly 300 pages) vol. 24, priced at $59.99 ($10 more than the previous volumes). Even though Eisner wasn't drawing every strip himself by '52, he was making careful decisions about who would fill in for him, and the final volume includes long-out-of-print work written by Pulitzer Prize-winning cartoonist Jules Feiffer and illustrated by the late Wally Wood.

There are two more volumes to come from DC, both at the new price point: First, in September, the publisher will release the definitive reprinting of Eisner's daily Spirit strip (vol. 25).

Tentatively scheduled for December, Vol. 26 will be an anthology of Eisner's post-1952 work with the character, including rarities like the full-page strip he drew in 1966 for the International Herald-Tribune, in which his heroic character gets political, expressing support for then New York Mayor John V. Lindsay.

Click HERE to Keep Reading!





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Thursday, April 03, 2008

Into the Eisenshpritz

Review by Elif Batuman

London Review of Books

April 10, 2008

The term ‘graphic novel’ is dismissed by most of its practitioners as either an empty euphemism or a marketing ploy. As Marjane Satrapi puts it, graphic novels simply enable ‘the bourgeois to read comics without feeling bad’; according to Alan Moore, they allow publishers to ‘stick six issues of whatever worthless piece of crap they happened to be publishing lately under a glossy cover and call it The She-Hulk Graphic Novel’. Moore and Satrapi, in common with many others, want their work to be known as ‘comics’. But ‘graphic novel’ can usefully designate a certain type of comic: a single-author, book-length work, meant for a grown-up reader, with a memoiristic or novelistic narrative, usually devoid of superheroes. By contrast, the older and more capacious term ‘comic book’ recalls the thinner, serialised, multi-authored or ghost-written publications rife with Supermen and She-Hulks. Some comics, of course, straddle (or elude) both categories; but in broad terms ‘comic book’ and ‘graphic novel’ serve to distinguish two trends in the history and form of comics.

There is no better vantage-point from which to view these two trends than the new collection of Will Eisner’s autobiographical comics, entitled Life, in Pictures. Eisner’s career is a microcosm of the history of American comics, starting with the ‘golden age’ of the 1930s and 1940s. When he was 19, Eisner co-founded one of the first comics studios, Eisner & Iger, whose original titles included Sheena, Queen of the Jungle and Blackhawk, as well as the underappreciated Mr Mystic and Doll Man. Mr Mystic – his real name was Ken – crashed a plane in Tibet, where the ‘Seven Lamas’ tattooed an arcane symbol onto his forehead, endowing him with the ability to transform into animals. Then there is Darrell Dane, a research chemist with the ability to ‘compress his molecular structure’ until he has shrunk to a height of six inches; the Doll Man’s crime-fighting techniques involve hiding in handbags, bivouacking in pie dishes and riding a German shepherd dog. In 1940, Eisner created his most famous masked hero: The Spirit was a syndicated series featuring a former detective called Denny Colt who staged his own death and took up residence in a graveyard, whence he made periodic forays into the world of crime.

The virtuosity of The Spirit is such as to belie the idea of a comic ‘strip’. The panels, as if themselves infused by an exuberant ‘Spirit’, leap from their rectangular boxes, assuming the forms of diverse print media: file cards, gravestones, film strips, children’s books, television sets. Eisner’s panels often float against black Expressionist nights or lightly inked Center City skylines. Some scenes are framed by purely visual devices: the beam of a flashlight, the viewfinder of a telescope, the jagged outlines of a bombed wall, the round windows in the door of a restaurant kitchen. Speech bubbles are made to coincide with pillars of cigarette smoke.

Click HERE to Keep Reading!


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Monday, March 31, 2008

El Espuritu de Una Vida... Will Eisner: A Spirited Life now available in Spanish Language Edition!



I think the only thing cooler than seeing your book published... is seeing it published in another language!

So it delights me to announce that my authorized biography, WILL EISNER: A SPIRITED LIFE, has been published in Spain by NORMA Editorial as WILL EISNER: EL ESPIRITU DE UNA VIDA, with translation by Raúl Sastre.

You can read brief excerpts in Spanish at Con C De Arte:"NO QUERÍA QUE FUESE UN SUPERHÉROE" and SE SENTÍA MOLESTO CON FRANK.

You can order a copy of this new Spanish edition from La Isla Libros.

REVIEWS!



maumau Barcelona.



The reviewer gives the Spanish language edition four stars -- Altamente Recomendable -- "Highly Recommended" (Translations to English by FreeTranslation.com):

"Will Eisner is to the comic what Shakespeare and Cervantes to the literature or what Orson Welles and John Ford to the movies. A teacher of teachers. A precursor, an inventor of forms and of language. For the screenwriter Alan Moore "Eisner is to a large extent the person responsible for that the comics have brain". It was reading one of its histories when decided what would be of greater. Neil Gaiman, writer of The Sandman and American Gods, compares the importance of Eisner with the Velvet Underground in the popular music. "Perhaps only some five thousand people were bought in their moment a disk of the Velvet, but all and each one of them they finished forming a group of music. If you discovered to Eisner to the adequate age, ¿why were going to wanted to do another thing?"

"The shadow of Will Eisner is infinite and its influence transfers the border of the comic. Michael Chabon, Frank Miller, Art Spiegelman, Spielberg or Tarantino have recognized publicly its debt with him. Norm continues expanding its indispensable Library Will Eisner with the publication of this official biography written by Bob Andelman after more than two years of conversations with the teacher. An opportunity for, through its person, to see the evolution of the American comic along this century, since its starts as industry in the thirties with the first comic books (then called comic magazines) to the current situation where the graphic novel occupies a space increasingly more prominent.

"All began when in 1937 a Will Eisner of only 19 years met with Sam Iger, its leader until closed the blind the magazine "Wow!", and he proposed to mount a study of comics that to sell materials to all the editorial that needed it. It had just been born the Study Eisner & Iger. Here is the most interesting part of the book: that of the Eisner as pioneer of the American comic. They are a hundred full long pages of anecdotes of the juicier. By them they will parade names as Bob Kane (creative of Batman) always with more time for the women that to draw, he provided to Eisner its first loving appointments, although these were of payment and Eisner did not know it. Or as Jack Kirby (perhaps the unique rival capable one to do him shadow like pioneer of the creative, American comic along with Stan Reads of mythical personages of Marvel Comics as the Captain America, the Four Fantastic, Hulk, the Patrol X and Thor among others) that began working in its study.

"Although the great revolution of Eisner arrives with "The Spirit", magazine that was distributed weekly with some newspapers. The first apparition of the detective of the antifaz was June 2, 1940 in five Sunday with a thrown in all the country of million and middle of copies. Each week seven pages appeared that revolutionized the world of the comic. Eisner was capable of counting a history of black series, series "B" or of what was in only 7 pages and utilizing multitude of resources. The vignettes did not have limits, experienced week in, week out. Mythical they are the a single vignette presentation pages where each time the logo was different. With "The Spirit" Eisner broke the confined design of page in which the comic had moved up till then. It suffices to look at some of the precious volumes of "The files of The Spirit" that here has also published Norm to see the modernity that, more than sixty years later, still they remove their pages. Pure lesson of narration by images that has influenced so much contemporary filmmakers.

"The book is profusely documented, with numerous illustrations and photographs that complement the reading. We will know its difficult infancy in the years of the Great Depression. The relation with its Even brother and its wife Ann, all a life. The death of its daughter Alice by leukemia with only 16 years. The long tunnel that supposed the experience of the magazine PS, a bulletin for the army where carried out illustrations. The resurrection of the hand of the graphic novel, term that if did not invent yes recognition contributed him. "Contract of God", published in 1978, is respected for many as the first graphic novel.

"Its last years are full of masterpieces of the comic (never stopped to draw, each time with more ambitious projects) and of recognitions. The prizes of the American comic (the Oscar of the comic to understand us) carry their name. By something Eisner is the teacher of teachers of the American comic. All to their feet."

BANDA DESEÑADA COMICS *librería*


"Of the hand of Editorial Norm this book arrives us where reproduces himself the work carried out by Bob Andelman, who during more than three years was being interviewed with one of the pillars of the comic modern, creator of the call graphic novel, obtaining that the father of Spirit touched all the aspects of his life. Since its influences, to biographical details of its life, passing for its relation with other authors of its epoch as Kirby, Siegel or the same Stan Reads, as well as its relation and influence in younger authors, like Alan Moore, Dave Sim or Neil Gaiman.

"Indispensable book for the lovers of Will Eisner and a recommendable book for all those that want to know a little more on the world of the comic, cash from inside."






















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Wednesday, February 13, 2008

New Eisner Book: "Will Eisner and PS Magazine" by Paul Fitzgerald


Will Eisner and PS Magazine
By Paul E. Fitzgerald

Paperback: $29.99
Ages, 16 and up
ISBN #1-932563-01-6
320 pages, color, 9" x 12"
Available May/2008

Here's the first penetrating, full look at Will Eisner's main body of work—strips, covers, illustrations and design for PS Magazine—produced in a 21-year period between his memorable and historic run of The Spirit and publication of his acclaimed first graphic novel, A Contract With God, in 1978. Fitzgerald was the magazine's first managing editor, and weaves together parallel stories—Eisner as an artist in expansive change, and the U.S. Army's daringly innovative publication that moved from early perilous survival and bureaucratic brinkmanship to 57 years (and still going) of recognition as a sweepingly successful communications pacesetter.

The author's knowledge of PS operations and challenges, production techniques, and personalities, coupled with his ongoing personal and professional friendship with Eisner from 1953 until the artist's death in 2005, provides a unique and close-up look at the "middle period" of Eisner's creative life. The Eisner shop reflected here included Chuck Kramer, Dan Zolnerowich, Mike Ploog, Murphy Anderson, Dan Spiegle, Alfredo Alcala, and Joe Kubert (who is the current PS contract artist.)

This large format volume is lavishly illustrated and the crisp, knowledgeable commentary is garnished by interviews with artists and editors who have served (or are serving) PS during its lively, continuing life.























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Wednesday, January 02, 2008

Will Eisner: A Spirited Life by Bob Andelman Now Available in Spanish Language Edition!


WILL EISNER: EL ESPÍRITU DE UNA VIDA, de Bob Andelman
Número único
Formato: Rústica con solapas. 15 x 22,4 cm. 376 págs. B/N. 18,00 €
El espíritu de una vida es la biografía oficial de Will Eisner: el maestro de maestros del cómic norteamericano, creador de personajes tan importantes como Spirit y precursor de un concepto que hoy en día marca tendencias en el mundo del cómic: la novela gráfica para adultos.


WILL EISNER: EL ESPÍRITU DE UNA VIDA, by Bob Andelman
Number one
Format: Paperback( jacketed).
15 x 22.4 cm.
376 pages.
Black and White.
18.00 euros
By Norma Editorial (Spain)
Due to be shipped in February 2008

WILL EISNER: EL ESPÍRITU DE UNA VIDA is the official biography of Will Eisner: the master of the masters of American comics, the creator of characters such as Spirit and precursor of the concept that today is the main trend in the world of comics: graphic novel for adults .

Norma is a wonderful publisher and I'm delighted to be associated with it! - Bob Andelman




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Wednesday, September 19, 2007

The Story Behind DC's New "The Spirit Comic Logo


Todd Klein - who apparently specializes in this - does a fascinating dissection of both the new "Spirit" logo on the DC comic book and a look back at some of Will Eisner's classics from way back.


For a fun read, click here!





















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Tuesday, August 14, 2007

New Will Eisner Collection Due October 8!



Will Eisner
Life, in Pictures
Autobiographical Stories
Introduction by Scott McCloud

Publication Date: October 8, 2007

An intimate self-portrait of the American icon Will Eisner, and a chronicle of the career that launched a new art form.

In what will be the closest thing Eisner fans will see to an autobiography, the great master and pioneer of American graphic arts presents the most intimate and personal perspective yet on his life as a writer, a professional, and an artist. “The Dreamer” and “To the Heart of the Storm” describe Eisner’s gritty early life and career, while “The Name of the Game” chronicles a personal history of his wife’s family. Finally, two shorter pieces illuminate the bookends of a legendary career: “The Day I Became a Professional” —which will appeal to any hopeful young artist—describes Eisner’s first rejection from a potential publisher, and “A Sunset in Sunshine City” provides a poignant portrait of Eisner in old age. The book features famous characters from the world of comics (under pseudonyms, of course) and other historical figures and family members, all drawn with Eisner’s characteristic mastery and technique.

Brooklyn-born Will Eisner, creator of Sheena, Queen of the Jungle and The Spirit, pioneered the graphic novel with A Contract With God. He is one of the greatest legends of twentieth-century comic art.





















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Wednesday, July 11, 2007

Author Bob Andelman on "Sci-Fi Overdrive" radio show, Pt. 1

Part one of an audio interview with Bob Andelman, author of "Will Eisner: A Spirited Life," on the syndicated radio show, "Sci-Fi Overdrive."





Click here for part 2!






















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Author Bob Andelman on "Sci-Fi Overdrive" radio show, Pt. 2

Part one of an audio interview with Bob Andelman, author of "Will Eisner: A Spirited Life," on the syndicated radio show, "Sci-Fi Overdrive."





Click here for part 1!






















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Wednesday, May 09, 2007

Mike Lynch on Will Eisner's PS Magazine


"P*S was not as glamorous as a costumed crime fighter or gritty stories about the city, but it deserves a bit more than a footnote. P*S was designed to remind the soldiers of the importance of doing the preventive maintenance and installation jobs the right way..."

-- Cartoonist Mike Lynch, writing about Will Eisner's less well known work for the U.S. Army, on his blog. Eisner and his studio - including Mike Ploog, Chuck Kramer, and Murphy Anderson - oversaw the magazine from its inception in 1952 for the next 20 years. Read the rest of Lynch's post - and see more great examples of PS art - here!





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Thursday, May 03, 2007

PREVIEW IT! Will Eisner: Portrait of a Sequential Artist





Will Eisner: Portrait of a Sequential Artist, directed by Andrew D. Cooke, premiered at the 2007 Tribeca Film Festival.


























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Friday, April 27, 2007

James Vance: I Stole From Will, Too!


"Like a lot of people, I stole bits and pieces from Will Eisner, though mostly in areas that aren't readily evident."


-- Graphic novelist James Vance commenting on Eisner's influence on his body of work, which includes Kings in Disguise, as well as stories for Batman, Aliens and Predator. He was interviewed by James Davis in the Daily Utah Chronicle, a student publication at the University of Utah.

















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Ray Billingsley: I Remember Will



Ray Billingsley (center), with cartoonist friends and mentors
Will Eisner (L) and Mort Walker (R).

(Photograph courtesy Ray Billingsley)


"Will was a tough MF’er!"

-- Former Will Eisner student Ray Billingsley on his days under the master's guidance at New York City's School of Visual Arts. The comment was made with great warmth and affection; read the rest of the Mr. Media interview with Billingsley here.






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R.I. filmmakers at Tribeca

The Providence Journal/ProJo.com


01:00 AM EDT on Wednesday, April 25, 2007


Rhode Island filmmakers will be well represented at this year’s prestigious Tribeca Film Festival in New York City. The feature-length Rhode Island-made The Education of Charlie Banks and the feature-length documentary Will Eisner: Portrait of a Sequential Artist will each have several screenings this week and next.


The Education of Charlie Banks, about a young man who finds a dreaded high school enemy has turned up on his college campus, was directed by former Limp Bizkit front man Fred Durst on locations in Pawtucket and Providence last summer. It will be screened from Friday through Sunday at various Manhattan theaters.


Marisa Polvino, who produced the film for Michael Corrente’s company, said on the phone from New York that they will try to sell the film to a distributor during the festival in hopes of getting a later national release.


Brothers Jon B. Cooke of West Kingston and Andrew D. Cooke of New York City filmed the documentary about Eisner, a comic book illustrator who is regarded as one of the founding fathers of the art when it began in the 1930s. Will Eisner will have its world premiere at 7:30 p.m. tomorrow at the AMC Village VII cinemas, followed by screenings Saturday and May 1 and 6 at various Manhattan theaters.





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