Will Eisner: Photo-illustration by Seth Kushner
Labels: A Contract With God, Art, Comic Book Legal Defense Fund, Graphic novel, Graphic NYC, New York City, Real Estate Photographer, Seth Kushner, Will Eisner
This site expands on Bob Andelman's biography, "Will Eisner: A Spirited Life"(M Press/Dark Horse), with new interviews and updates on related projects that bring greater depth and color to the portrayal of the legendary comic book/graphic novel artist and writer.
Labels: A Contract With God, Art, Comic Book Legal Defense Fund, Graphic novel, Graphic NYC, New York City, Real Estate Photographer, Seth Kushner, Will Eisner
Labels: Art, Comic, Comic book, Comic Book Legal Defense Fund, Graphic novel, Graphic NYC, New York City, Retailers, Will Eisner
Cover of The Will Eisner Companion
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At four in the afternoon on Tuesday, March 2, the campus of UMass in Amherst will be the site of a panel discussion
about comics and graphic novels featuring two relics—I mean,
veterans—of the underground comix movement of the 1970s, plus a member
of today’s emerging generation of adventurous comics creators.
One of the aforementioned veterans will be Gary Hallgren of Air Pirates fame; the other one will be me. Sharing the stage with Gary and me will be Sophia Weideman,
who will have to wait a few years before attaining the relic/veteran
status that Gary and I enjoy but who appears to be making good use of
her talents in the meantime.
Gary and I are longtime friends and I’m looking
forward to meeting Sophia. Furthermore, if you’re near enough to
Amherst to come and be part of our audience in Room 227 of Herter Hall,
I’ll be looking forward to meeting you, too!
Moderating our panel, by the way, will be another old friend: N. C. Christopher Couch, co-author with Stephen Weiner of The Will Eisner Companion.
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Above: Gary Hallgren’s character Tom Turkey, as seen in the Marvel/underground hybrid Comix Book
in the mid-seventies, is flanked by a photo of Gary taken at the 1976
Berkeley Con and a snapshot I took of him a year or so ago.
At left: A photo of yours truly, also taken at the same 1976 convention, garnished with one of my own drawings from that era.
Both 1976 photos were taken by Clay Geerdes, the legendary chronicler of and cheerleader for the underground comix movement.
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At right: I couldn’t find a current photo of our third panelist, Sophia Weideman, and I certainly couldn’t find one from 1976, since it’s highly unlikely that this 2008 graduate of the School of Visual Arts in New York had even commenced to exist by then.
I can, however, show you the cover of her new book The Deformatory, which she self-published with funding provided by the Xeric Foundation.
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Labels: Art, Clay Geerdes, Comics, Graphic novel, Howard Cruse, N.C. Christopher Couch, New York City, Retailers, Underground comix, Will Eisner, Xeric Foundation


Labels: Columbia University, Gary Hallgren, Graphic novel, Howard Cruse, New York City, United States, University of Massachusetts, Will Eisner
Labels: Art, Comic Book Legal Defense Fund, Comics, Graphic novel, Minneapolis College of Art and Design, New York City, Savannah College of Art and Design, Will Eisner
Marco Antonio Barbosa, JB Online
RIO - Há muitos apostos – todos positivos – que podem ser reunidos ao nome de Will Eisner. O quadrinista americano (1917-2005) é creditado como introdutor da influência da linguagem cinematográfica nas HQs. Criou um dos mais icônicos super-heróis de todos os tempos, o Spirit (1940). E foi um dos primeiros a apostar no formato hoje conhecido como graphic novel: histórias longas, narrativas adultas, abordagens literárias. Um dos mais interessantes aspectos de sua longa obra, entretanto, às vezes fica em segundo plano: seu papel como arguto observador do cotidiano urbano. É essa faceta que sobressai no belíssimo álbum Nova York: a vida na grande cidade (Tradução de Augusto Pacheco Calil. 440 páginas, R$ 55), que inaugura o Quadrinhos na Cia., novo selo da Companhia das Letras dedicado apenas à dita “arte sequencial”.
O calhamaço de mais de 400 páginas é, na verdade, a compilação de quatro graphic novels que o artista lançou num momento que, para qualquer outro artista, poderia ser considerado como “crepuscular”. No fim da década de 70, com mais de 40 anos de carreira nas costas, Eisner apostou firme no formato dos “romances gráficos”, combinando uma abordagem artística absolutamente realista com uma rara percepção da poesia (e do surrealismo) que se esconde nos becos e vielas desfavorecidos da Grande Maçã. Nova York, a grande cidade (1986), O edifício (1987) e Pessoas invisíveis (1993), além do Caderno de tipos urbanos (uma coleção de vinhetas essencialmente visuais sobre a cidade) estão no pacote.
Click HERE to Keep Reading (or Pretending)!
Labels: by Will Eisner, graphic novels, Jornal do Brasil, New York City
From the blog of J. Winkel comes this post about Gene Bilbrew, who he says replaced Jules Feiffer in Will Eisner's studio. I never heard of Bilbrew before, so this was an interesting find...


New York City was a good place for an illustrator in the early 1950's, in particular one with the obvious but quirky talents of Gene Bilbrew. The comic market was exploding...the Kefauver Senate hearings had yet to dent their sales to vulnerable youth, Mad Magazine was getting off the ground and lurid pulp magazines requiring sexual humor were booming. Demand for less than tasteful "adult" humor was in demand. (Remember "cocktail napkins") In fact, one of Bilbrew's first jobs as an artist was replacing the recently drafted Jules Feiffer in the studio of noted cartoonist Will Eisner, who not only created the well-known comic strip "The Spirit" but also was one of the founders of the institution now known as the School of Visual Arts.
Labels: Gene Bilbrew, Jules Feiffer, New York City, Spirit, Will Eisner